Themes & Motifs
New Brunswick writers have told many different stories in many different ways. Indeed, the province’s literature is marked by a diversity of forms, voices, subjects, and settings. As is so often the case with the literature of a particular place, however, the imaginative work of New Brunswickers has been influenced and shaped by specific social and cultural conditions. As a result, New Brunswick writers across historical eras display common themes and motifs. Some of those themes and motifs, and the frequency with which they appear, distinguish the province’s literature from that of elsewhere, thus forming the basis of a distinct literary tradition. Other themes and motifs point toward the universality of human experience, revealing commonalities and interconnections between the literatures of New Brunswick and literatures around the world. Readers will discover that the best literature is able to achieve both: express a strong sense of rootedness in place while also conveying human experiences that cut across geographic, cultural, religious, and political differences.
Below is a list of themes that feature prominently in New Brunswick literature. Under that list, in table form, is a corresponding list of works (poems and stories), authors, and modules where each theme is evident. The themes are listed alphabetically. To select a Theme, click on the theme name below to be redirected to the corresponding table.
Teachers will be especially interested in these thematic groupings, which can easily be adapted for the creation of lesson or unit plans. Teachers should also read Information for Teachers (under Resources) as a supplement to Themes & Motifs.
Attentiveness (see also Writing)
Colonialism, Settlement, and Empire (see also Nationalism)
Communication and Miscommunication
Community and Interconnectivity
Deindustrialization and Decline (see also Economic and Social Injustice, Outmigration and Population Decline, and Structural Disadvantage and Inequality)
Economic and Social Injustice/Marginalization
Empowerment and Freedom (see also Resilience and Resistance)
Gender, Women, and Society (see also Sexuality)
Imagination (see also Memory and Reverie)
Language (see also Communication and Miscommunication and Writing)
Love and Desire (see also Empathy)
Outmigration and Population Decline: Leaving and Returning
Place, Landscape, and Region (see also Relationship Between Nature and Humans and Seasons and Cycles)
Relationship Between Nature and Humans
Structural Disadvantage and Inequality in New Brunswick
Aging
“A Hearth-Song” and “‘So, After All, When All is Said and Done’” |
Confederation Poets |
|
“Reflections on a Hill Behind a Town” |
Modernism and the Fredericton Ferment |
|
“Old Women and Love” and “The Old in One Another’s Arms” |
Modernism and the Fredericton Ferment |
|
“On Becoming an Ancestor” |
Confessional Humanism |
|
“My daughters, my wild girls” |
The Tantramar Revisited |
|
“On Priests” |
The Acadian Renaissance |
|
“Human Beings” |
The Literary Miramichi |
|
“Half Past” |
Current & Contemporary Voices |
Attentiveness
“The Dead Butterfly” |
Pre-Confederation Writers and Poets |
|
“The One Stem” |
Modernism and the Fredericton Ferment |
|
“Conservation Procedures” |
Modernism and the Fredericton Ferment |
|
“The tide defines…” and “At The Star-port” |
The Acadian Renaissance |
|
“Horse Chestnuts” |
The Tantramar Revisited |
|
“Not mine” and “Pulse” |
The Tantramar Revisited |
|
“The Form,” “Desert Roses,” and “Winds” |
The Tantramar Revisited |
|
“This Bridge is No Bridge,” “Always,” and “The Afterlife of Trees” |
Current & Contemporary Voices |
Childhood and Youth
“A Son of the Sea” and “The Ships of Yule” |
Confederation Poets |
|
“Mr. McGinty’s Claw” and “The Wicked Nurse” |
Modernism and the Fredericton Ferment |
|
“Autobiography” |
Modernism and the Fredericton Ferment |
|
“The Silent Scream” and “The Young Girl Waits for Love” |
Confessional Humanism |
|
“Britain Street” |
Confessional Humanism |
|
“My daughters, my wild girls” |
The Tantramar Revisited |
|
“Readings” |
The Acadian Renaissance |
|
“Tragic Youth” and “Flagging Spirit” |
The Literary Miramichi |
|
Nights Below Station Street |
The Literary Miramichi |
|
“The Game” |
The Literary Miramichi |
|
“Pain Was My Portion,” “Down There,” “We Walk Into Our Gowns,” and “Blowtorch Alchemy” |
Current & Contemporary Voices |
|
“A Basement Tale” |
Current & Contemporary Voices |
|
Before the Flood |
Current & Contemporary Voices |
|
“How Much?” |
Current & Contemporary Voices |
|
“Carol,” “Boat Builder,” and “Wood Stove Sunday” |
Current & Contemporary Voices |
Colonialism, Settlement, and Empire
“First Encounter with Native Peoples in Chaleur Bay” |
Pre-Confederation Writers and Poets |
|
Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles |
Pre-Confederation Writers and Poets |
|
“Our Thirty-Ninth Wedding Day” and “Ode for the New Year” |
Pre-Confederation Writers and Poets |
|
The Rising Village |
Pre-Confederation Writers and Poets |
|
The Nine Lives of Charlotte Taylor |
New Brunswick History in Fiction |
|
“Miramichi Lightning” |
Modernism and the Fredericton Ferment |
|
“Blue” and “Red” |
The Acadian Renaissance |
|
“Colonial” |
Current & Contemporary Voices |
|
“Pain Was My Portion” |
Current & Contemporary Voices |
Communication and Miscommunication
“How the Wabanaki Confederacy Began” |
First Nations Story |
|
“First Encounter with Native Peoples in Chaleur Bay” |
Pre-Confederation Writers and Poets |
|
“House of Commons, 1934” |
Modernism and the Fredericton Ferment |
|
“Tracks” |
The Tantramar Revisited |
|
“Human Beings” |
The Literary Miramichi |
|
Nights Below Station Street |
The Literary Miramichi |
|
“Pain Was My Portion” |
Current & Contemporary Voices |
|
“A Basement Tale” |
Current & Contemporary Voices |
Community and Interconnectivity
“How the Wabanaki Confederacy Began” |
First Nations Story |
|
The Rising Village |
Pre-Confederation Writers and Poets |
|
“Daughter of Zion” and “He Sits Down on the Floor of a School for the Retarded” |
Confessional Humanism |
|
“Tracks” and “The old man who owned this house” |
The Tantramar Revisited |
|
Beatitudes |
The Acadian Renaissance |
|
Nights Below Station Street |
The Literary Miramichi |
|
“Always” |
Current & Contemporary Voices |
|
“Songs of the Parking Lot Attendant” |
Current & Contemporary Voices |
|
“Zombie” |
Current & Contemporary Voices |
Death
“The Dead Butterfly” |
Pre-Confederation Writers and Poets |
|
“Between the Battles” and “The Watch” |
Confederation Poets |
|
“Autobiography” |
Modernism and the Fredericton Ferment |
|
“In a Hospital” and “How it Was” |
Modernism and the Fredericton Ferment |
|
“The Death of My Father” |
Modernism and the Fredericton Ferment |
|
“The Red Wool Shirt” |
Confessional Humanism |
|
“The old man who owned this house,” “And the way we die,” and “John Thompson” |
The Tantramar Revisited |
|
“After Rain” |
The Tantramar Revisited |
|
“Leslie Allen” |
The Literary Miramichi |
|
“Pain Was My Portion” and “The Favourite Flies Home” |
Current & Contemporary Voices |
|
“4 April, 1991,” “Jacklight,” and “The tree in winter” |
Current & Contemporary Voices |
|
“The Afterlife of Trees” |
Current & Contemporary Voices |
|
“Headstone” |
Current & Contemporary Voices |
Deindustrialization and Decline
“The Tantramar Revisited” |
Confederation Poets |
|
“Here in the East” |
Modernism and the Fredericton Ferment |
|
“River Song” and “Atlantic Development” |
Confessional Humanism |
|
“They Go Off to Seek Their Fortunes” |
Confessional Humanism |
Economic and Social Injustice/Marginalization
“George Ernst” and “Ode to Fredericton” |
Modernism and the Fredericton Ferment |
|
“Inheritance” and “Reasons for Reason” |
Confessional Humanism |
|
“Daughter of Zion” and “Britain Street” |
Confessional Humanism |
|
“On Lotteries” and “On Priests” |
The Acadian Renaissance |
|
“Land-cry” and “I Am Acadian” |
The Acadian Renaissance |
|
“We Can’t” |
The Acadian Renaissance |
|
“They Come Here to Die” |
The Literary Miramichi |
|
Nights Below Station Street |
The Literary Miramichi |
|
“insight into private affairs …” and “Safe” |
Current & Contemporary Voices |
|
“Zombie” |
Current & Contemporary Voices |
Empathy
“The Dead Butterfly” |
Pre-Confederation Writers and Poets |
|
“He Sits Down on the Floor of a School for the Retarded” |
Confessional Humanism |
|
“The Change” |
The Tantramar Revisited |
|
“Not mine” and “The Meeting” |
The Tantramar Revisited |
|
“The Form,” “Desert Roses,” “After Rain,” and “Bending the Branch” |
The Tantramar Revisited |
|
Beatitudes |
The Acadian Renaissance |
|
“Nun” and “Human Beings” |
The Literary Miramichi |
|
“A Basement Tale” and “Always” |
Current & Contemporary Voices |
|
“Tale” |
Current & Contemporary Voices |
|
“Songs of the Parking Lot Attendant” |
Current & Contemporary Voices |
Empowerment and Freedom
“Ode for the New Year” |
Pre-Confederation Writers and Poets |
|
“The Beaver and the Maple Leaf” |
Pre-Confederation Writers and Poets |
|
“The Joys of the Open Road” and “An Autumn Song” |
Confederation Poets |
|
“Valley-Folk” |
Modernism and the Fredericton Ferment |
|
“Desert Roses” |
The Tantramar Revisited |
|
“Poetry Night in Acadie” |
The Acadian Renaissance |
|
“Land-cry” |
The Acadian Renaissance |
|
“We Can’t” |
The Acadian Renaissance |
|
“Readings” |
The Acadian Renaissance |
|
“A Common Chord Echoes in Our Lives,” “Complicity,” and “Acadielove” |
The Acadian Renaissance |
|
“Half Past” |
Current & Contemporary Voices |
|
“Horse Girls” |
Current & Contemporary Voices |
Family
“When a Girl Looks Down” and “Autobiography” |
Modernism and the Fredericton Ferment |
|
“The Death of My Father” |
Modernism and the Fredericton Ferment |
|
“Thirty Below” and “Inheritance” |
Confessional Humanism |
|
“It’s Good to Be Here” and “Britain Street” |
Confessional Humanism |
|
“My daughters, my wild girls” |
The Tantramar Revisited |
|
Nights Below Station Street |
The Literary Miramichi |
|
“The Favourite Flies Home” and “Cold Day in August” |
Current & Contemporary Voices |
|
“4 April, 1991,” “The Dinner Party,” and “Heating the House” |
Current & Contemporary Voices |
|
“How Much?” |
Current & Contemporary Voices |
|
“Carol,” “Boat Builder,” and “Wood Stove Sunday” |
Current & Contemporary Voices |
First Nations
“How the Mohawk War Party Was Drowned” |
First Nations Story |
|
“How the Wabanaki Confederacy Began” |
First Nations Story |
|
“Glooscap and His Four Visitors” |
First Nations Story |
|
“First Encounter with Native Peoples in Chaleur Bay” |
Pre-Confederation Writers and Poets |
|
Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles |
Pre-Confederation Writers and Poets |
|
The Nine Lives of Charlotte Taylor |
New Brunswick History in Fiction |
|
“Miramichi Lightning” |
Modernism and the Fredericton Ferment |
|
“Among the Rows at 7 p.m.” |
Current & Contemporary Voices |
Gender, Women, and Society
“How the Mohawk War Party Was Drowned” |
First Nations Story |
|
The Nine Lives of Charlotte Taylor |
New Brunswick History in Fiction |
|
“When a Girl Looks Down” and “Old Women and Love” |
Modernism and the Fredericton Ferment |
|
“The Water and the Rock” and “Like Two Slant Trees” |
Modernism and the Fredericton Ferment |
|
“The Young Girl Waits for Love” and “On Becoming an Ancestor” |
Confessional Humanism |
|
“Down There” and “Four O’Clock, New Year’s Morning, New River Beach” |
Current & Contemporary Voices |
|
“insight into private affairs …” and “Safe” |
Current & Contemporary Voices |
|
“Carol” |
Current & Contemporary Voices |
Identity
“How the Mohawk War Party Was Drowned” |
First Nations Story |
|
“How the Wabanaki Confederacy Began” |
First Nations Story |
|
“Our Thirty-Ninth Wedding Day” and “Ode for the New Year” |
Pre-Confederation Writers and Poets |
|
“Sweet Maiden of Quoddy” |
Pre-Confederation Writers and Poets |
|
“Here in the East” |
Modernism and the Fredericton Ferment |
|
“Valley-Folk” and “New Brunswick” |
Modernism and the Fredericton Ferment |
|
“Return of the Native” and “Where I Come From” |
Confessional Humanism |
|
“They Go Off to Seek Their Fortunes” |
Confessional Humanism |
|
“My Acadie” and “Poetry Night in Acadie” |
The Acadian Renaissance |
|
“On Lotteries” and “On Priests” |
The Acadian Renaissance |
|
“I Am Acadian” |
The Acadian Renaissance |
|
“Acadielove” |
The Acadian Renaissance |
|
“The Fair New Brunswick Hills” |
The Literary Miramichi |
|
“There Are Two Rivers Here” |
The Literary Miramichi |
|
“A Garden Gnome Infestation” |
Current & Contemporary Voices |
Imagination
“The Ships of Yule” |
Confederation Poets |
|
“The Wicked Nurse” |
Modernism and the Fredericton Ferment |
|
“The Great Bear” |
The Tantramar Revisited |
|
“How was it” |
The Tantramar Revisited |
|
“Sunflower” |
The Tantramar Revisited |
|
“Nun” |
The Literary Miramichi |
|
“The Thing Outside” |
Current & Contemporary Voices |
|
“We Walk Into Our Gowns” |
Current & Contemporary Voices |
|
“Among the Rows at 7 p.m.” and “A Basement Tale” |
Current & Contemporary Voices |
|
“When I Drive Down Highways” and “Songs of the Parking Lot Attendant” |
Current & Contemporary Voices |
Language
“Grand Falls” |
Pre-Confederation Writers and Poets |
|
“The Dead Butterfly” |
Pre-Confederation Writers and Poets |
|
“Sweet Maiden of Quoddy” |
Pre-Confederation Writers and Poets |
|
“House of Commons, 1934” |
Modernism and the Fredericton Ferment |
|
“Conservation Procedures” |
Modernism and the Fredericton Ferment |
|
“The Red Wool Shirt” |
Confessional Humanism |
|
“Horse Chestnuts” and “Partridge” |
The Tantramar Revisited |
|
“On Lotteries” and “On Priests” |
The Acadian Renaissance |
|
“I Am Acadian” |
The Acadian Renaissance |
|
“Primitive sonata” |
The Acadian Renaissance |
|
“Acadielove” |
The Acadian Renaissance |
Love and Desire
“There’s Not a Little Boat, Sweetheart,” “I Do Not Long for Fame,” “Three Things There Be in the World, Yvonne,” and “Low Tide on Grand Pré” |
Confederation Poets |
|
“A Song in August, “The Watch,” and “‘So, After All, When All is Said and Done’” |
Confederation Poets |
|
“When a Girl Looks Down,” “Old Women and Love,” and “The Old in One Another’s Arms” |
Modernism and the Fredericton Ferment |
|
“The Water and the Rock” and “Like Two Slant Trees” |
Modernism and the Fredericton Ferment |
|
“The Young Girl Waits for Love” |
Confessional Humanism |
|
“Britain Street” and “He Sits Down on the Floor of a School for the Retarded” |
Confessional Humanism |
|
“January February March Et Cetera” and “Ghazal II” |
The Tantramar Revisited |
|
“My daughters, my wild girls” |
The Tantramar Revisited |
|
“Time Turns to Tenderness” |
The Acadian Renaissance |
|
“Between The Season of Extravagant Love And The Season of Raspberries” |
The Acadian Renaissance |
|
“At The Star-port” and “Primitive sonata” |
The Acadian Renaissance |
|
“Complicity,” “Acadielove,” and “To Love You” |
The Acadian Renaissance |
|
“Seventeen Years Old” |
The Literary Miramichi |
|
“September Morning” |
The Literary Miramichi |
|
“The tree in winter” |
Current & Contemporary Voices |
|
“Why I Fall in Love With Inaccessible Straight Boys Every Damn Time” |
Current & Contemporary Voices |
Memory and Reverie
Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles |
Pre-Confederation Writers and Poets |
|
“An Evening Reverie” |
Pre-Confederation Writers and Poets |
|
“The Tantramar Revisited” |
Confederation Poets |
|
“The Ships of Yule” and “Low Tide on Grand Pré” |
Confederation Poets |
|
“A Song in August” |
Confederation Poets |
|
“Reflections on a Hill Behind a Town” |
Modernism and the Fredericton Ferment |
|
“Return to Innocence” |
Modernism and the Fredericton Ferment |
|
“The Silent Scream,” “Return of the Native,” “River Song,” “Thirty Below,” “Woman on a Bus: In New Brunswick Woods,” and “Inheritance” |
Confessional Humanism |
|
“The Red Wool Shirt” |
Confessional Humanism |
|
“Readings” |
The Acadian Renaissance |
|
“At The Star-port” |
The Acadian Renaissance |
|
“Tragic Youth” |
The Literary Miramichi |
|
“The Game,” “September Morning,” and “There Are Two Rivers Here” |
The Literary Miramichi |
|
“Down There,” “Cold Day in August,” and “Blowtorch Alchemy” |
Current & Contemporary Voices |
|
“The Dinner Party” and “Heating the House” |
Current & Contemporary Voices |
|
“How Much?” |
Current & Contemporary Voices |
|
“Wood Stove Sunday” |
Current & Contemporary Voices |
Nationalism
“First Encounter with Native Peoples in Chaleur Bay” |
Pre-Confederation Writers and Poets |
|
“Ode for the New Year” |
Pre-Confederation Writers and Poets |
|
The Rising Village |
Pre-Confederation Writers and Poets |
|
“The Beaver and the Maple Leaf” |
Pre-Confederation Writers and Poets |
|
“Woman on a Bus: New Brunswick Woods” |
Confessional Humanism |
|
“My Acadie” and “Poetry Night in Acadie” |
The Acadian Renaissance |
|
“Land-cry” and “I am Acadian” |
The Acadian Renaissance |
|
“The Wharf” |
The Acadian Renaissance |
|
“Blue” and “Red” |
The Acadian Renaissance |
|
“Complicity,” “Acadielove,” and “To Love You” |
The Acadian Renaissance |
New Brunswick History
“How the Mohawk War Party Was Drowned” |
First Nations Story |
|
“How the Wabanaki Confederacy Began” |
First Nations Story |
|
“First Encounter with Native Peoples in Chaleur Bay” |
Pre-Confederation Writers and Poets |
|
Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles |
Pre-Confederation Writers and Poets |
|
The Rising Village |
Pre-Confederation Writers and Poets |
|
The Nine Lives of Charlotte Taylor |
New Brunswick History in Fiction |
|
“Here in the East” |
Modernism and the Fredericton Ferment |
|
“Ode to Fredericton” |
Modernism and the Fredericton Ferment |
|
“Atlantic Development” and “River Song” |
Confessional Humanism |
|
“My Acadie” |
The Acadian Renaissance |
|
“We Can’t” |
The Acadian Renaissance |
|
Before the Flood |
Current & Contemporary Voices |
Outmigration and Population Decline: Leaving and Returning
“The Tantramar Revisited” |
Confederation Poets |
|
“Here in the East” |
Modernism and the Fredericton Ferment |
|
“Atlantic Development” |
Confessional Humanism |
|
“They Go Off to Seek Their Fortunes” |
Confessional Humanism |
|
“To Go Back Home to Chatham” |
The Literary Miramichi |
|
“September Morning” |
The Literary Miramichi |
Place, Landscape, and Region
“How the Mohawk War Party Was Drowned” |
First Nations Story |
|
“Grand Falls” |
Pre-Confederation Writers and Poets |
|
“The Harp of Brunswick” |
Pre-Confederation Writers and Poets |
|
“Sweet Maiden of Quoddy” |
Pre-Confederation Writers and Poets |
|
“The Tantramar Revisited,” “The Mowing,” and “In An Old Barn” |
Confederation Poets |
|
“The Muskrat and the Whale” |
Modernism and the Fredericton Ferment |
|
“Valley-Folk” and “New Brunswick” |
Modernism and the Fredericton Ferment |
|
“A Kind of Wakefulness” |
Modernism and the Fredericton Ferment |
|
“Return of the Native,” “Where I Come From,” and “Woman on a Bus: New Brunswick Woods” |
Confessional Humanism |
|
“Partridge” and “The Change” |
The Tantramar Revisited |
|
“The Clearing” and “Sunflower” |
The Tantramar Revisited |
|
“Hymn to Spring” and “My Acadie” |
The Acadian Renaissance |
|
“The Wharf” |
The Acadian Renaissance |
|
“The tide defines. . .” |
The Acadian Renaissance |
|
“Acadielove” |
The Acadian Renaissance |
|
“The Fair New Brunswick Hills” |
The Literary Miramichi |
|
“They Come Here to Die” and “To Go Back Home to Chatham” |
The Literary Miramichi |
|
Nights Below Station Street |
The Literary Miramichi |
|
“There Are Two Rivers Here” |
The Literary Miramichi |
|
“Colonial” |
Current & Contemporary Voices |
|
“Property Rights, June” and “Jacklight” |
Current & Contemporary Voices |
Relationship Between Nature and Humans
“Grand Falls” |
Pre-Confederation Writers and Poets |
|
“The Harp of Brunswick” |
Pre-Confederation Writers and Poets |
|
“The Dead Butterfly” |
Pre-Confederation Writers and Poets |
|
“An Evening Reverie” |
Pre-Confederation Writers and Poets |
|
“The Tantramar Revisited” |
Confederation Poets |
|
“The Joys of the Open Road,” “An Autumn Song,” and “Vestigia” |
Confederation Poets |
|
“A Road Song in May” |
Confederation Poets |
|
“Again With Music” |
Modernism and the Fredericton Ferment |
|
“New Brunswick” |
Modernism and the Fredericton Ferment |
|
“A Kind of Wakefulness” and “Who Asked Me to Be a Reader of Entrails?” |
Modernism and the Fredericton Ferment |
|
“Return of the Native” |
Confessional Humanism |
|
“Partridge,” “The Change,” “January February March Et Cetera,” and “The Great Bear” |
The Tantramar Revisited |
|
“Not mine,” “Poet talking,” “Pulse,” “The Meeting,” and “The Woods” |
The Tantramar Revisited |
|
“The Form” and “Bending the Branch” |
The Tantramar Revisited |
|
“Hymn to Spring” |
The Acadian Renaissance |
|
“There Are Two Rivers Here” |
The Literary Miramichi |
|
“Colonial,” “The Thing Outside,” and “About the Size of It” |
Current & Contemporary Voices |
|
“4 April, 1991” |
Current & Contemporary Voices |
|
“This Bridge is No Bridge,” “Among the Rows at 7 p.m.,” and “The Afterlife of Trees” |
Current & Contemporary Voices |
|
“When I Drive Down Highways” |
Current & Contemporary Voices |
Religion and Spirituality
“How the Wabanaki Confederacy Began” |
First Nations Story |
|
“Glooscap and His Four Visitors” |
First Nations Story |
|
“First Encounter with Native Peoples in Chaleur Bay” |
Pre-Confederation Writers and Poets |
|
Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles |
Pre-Confederation Writers and Poets |
|
“Ode for the New Year” |
Pre-Confederation Writers and Poets |
|
“In Apple Time” and “Vestigia” |
Confederation Poets |
|
“Ode to Fredericton,” “Zen: The Epicure,” and “Zen” |
Modernism and the Fredericton Ferment |
|
“Beginning” and “Daughter of Zion” |
Confessional Humanism |
|
“Desert Roses” |
The Tantramar Revisited |
|
“Hymn to Spring” |
The Acadian Renaissance |
|
“On Priests” |
The Acadian Renaissance |
|
“The first Saturdays of the month when I was Catholic” |
The Acadian Renaissance |
|
Beatitudes |
The Acadian Renaissance |
|
“Holy Day” and “Nun” |
The Literary Miramichi |
|
“There Are Two Rivers Here” |
The Literary Miramichi |
|
“Pain Was My Portion” |
Current & Contemporary Voices |
|
“Heating the House” |
Current & Contemporary Voices |
|
Before the Flood |
Current & Contemporary Voices |
Resilience and Resistance
“How the Mohawk War Party Was Drowned” |
First Nations Story |
|
Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles |
Pre-Confederation Writers and Poets |
|
“Ode for the New Year” |
Pre-Confederation Writers and Poets |
|
“The Beaver and the Maple Leaf” |
Pre-Confederation Writers and Poets |
|
“The Sower” |
Confederation Poets |
|
“Between the Battles” |
Confederation Poets |
|
The Nine Lives of Charlotte Taylor |
New Brunswick History in Fiction |
|
“New Brunswick” |
Modernism and the Fredericton Ferment |
|
“In Favour of Being Alive” |
Confessional Humanism |
|
“Poetry Night in Acadie” |
The Acadian Renaissance |
|
“Land-cry” and “I Am Acadian” |
The Acadian Renaissance |
|
“Human Beings” |
The Literary Miramichi |
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“Half Past” |
Current & Contemporary Voices |
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“The Favourite Flies Home” |
Current & Contemporary Voices |
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“What the construction worker said” |
Current & Contemporary Voices |
Seasons and Cycles
“An Evening Reverie” |
Pre-Confederation Writers and Poets |
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“The Sower,” “The Mowing,” and “In an Old Barn” |
Confederation Poets |
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“An Autumn Song” and “In Apple Time” |
Confederation Poets |
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“A Road Song in May,” “A Song in August,” and “A Hearth-Song” |
Confederation Poets |
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“A Kind of Wakefulness” and “Who Asked Me to Be a Reader of Entrails?” |
Modernism and the Fredericton Ferment |
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“Thirty Below” |
Confessional Humanism |
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“January February March Et Cetera” |
The Tantramar Revisited |
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“Hymn to Spring” |
The Acadian Renaissance |
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“Between The Season of Extravagant Love And The Season of Raspberries” |
The Acadian Renaissance |
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“There Are Two Rivers Here” |
The Literary Miramichi |
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“Property Rights, June” and “What the construction worker said” |
Current & Contemporary Voices |
Sexuality
“Old Women and Love” and “The Old in One Another’s Arms” |
Modernism and the Fredericton Ferment |
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“Beginning” and “It’s Good to be Here” |
Confessional Humanism |
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“Primitive sonata” |
The Acadian Renaissance |
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“Complicity” |
The Acadian Renaissance |
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“10 Reasons Why I Fall in Love with Inaccessible Straight Boys Every Damn Time” |
Current & Contemporary Voices |
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“Clam Bake 1973” |
Current & Contemporary Voices |
Structural Disadvantage and Inequality in New Brunswick
“Here in the East” |
Modernism and the Fredericton Ferment |
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“Britain Street” |
Confessional Humanism |
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“On Lotteries” and “On Priests” |
The Acadian Renaissance |
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“The first Saturdays of the month when I was Catholic” |
The Acadian Renaissance |
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“Red,” “Readings,” and Beatitudes |
The Acadian Renaissance |
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“They Come Here to Die,” “Flagging Spirit,” “Holy Day,” “To Go Back Home to Chatham,” and “The Depressive” |
The Literary Miramichi |
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Nights Below Station Street |
The Literary Miramichi |
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Before the Flood |
Current & Contemporary Voices |
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“Zombie” |
Current & Contemporary Voices |
Technology and Society
“Tracks” and “The hoe” |
The Tantramar Revisited |
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Before the Flood and “Equipment Failure” |
Current & Contemporary Voices |
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“How Much?” |
Current & Contemporary Voices |
Tourism and/or the Folk
Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles |
Pre-Confederation Writers and Poets |
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“Grand Falls” |
Pre-Confederation Writers and Poets |
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“Sweet Maiden of Quoddy” |
Pre-Confederation Writers and Poets |
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“The Beaver and the Maple Leaf” |
Pre-Confederation Writers and Poets |
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“The Fair New Brunswick Hills” and “Leslie Allen” |
The Literary Miramichi |
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“On Lotteries” and “On Priests” |
The Acadian Renaissance |
Writing
“The Harp of Brunswick” |
Pre-Confederation Writers and Poets |
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“I Do Not Long for Fame” and “Envoy” |
Confederation Poets |
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“An Exchange of Gifts” |
Confessional Humanism |
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“The Change” |
The Tantramar Revisited |
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“Poet talking,” “Are you writing any …?,” and “January Sale” |
The Tantramar Revisited |
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“Half Past” and “‘Tract’-able” |
Current & Contemporary Voices |